Publication in the Diário da República: Despacho n.º 2435/2023 de 17/02/2023
6 ECTS; 2º Ano, 2º Semestre, 30,0 PL + 30,0 TP + 5,0 OT , Cód. 964573.
Lecturer
- Alexandre José de Magalhães Figueiredo (1)(2)
(1) Docente Responsável
(2) Docente que lecciona
Prerequisites
NA
Objectives
Explore the production of direct positives on Ra4 chromogenic paper using a large-format analog camera;
Understand and independently execute photographic printing processes - Platinum Type and Charcoal;
Distinguish characteristics and potential of executing different printing processes;
Analyze the constituents of supports and reagents in photosensitive solutions;
Understand and interpret variables adjacent to the processes such as: contrast, density, haze, detail reproduction; Raise awareness of the sustainable use of printing techniques, minimizing environmental impact;
Develop, design, and assemble an artistic project in an exhibition space.
Program
Part 1 - Production of direct positives on Ra4 chromogenic paper using a large-format analog camera. Structure of chromogenic paper, chromatic filtering, and chemical processing.
Part 2 Platinum printing. Production of matrices via digital means. Production of working solutions and processing. Evaluation of the density and contrast of the negative and final proof. Evaluating print quality and adjusting printing/processing parameters.
Part 3 Charcoal printing. Production of photographic emulsion based on colloid and pigment. Production of multiple proofs from the same matrix. Viscosity control through the manipulation of restricting agents according to the desired contrast. Mastery of the technique of transferring the image from the temporary support to the final support.
Part 4 Artistic project. Carried out in groups to respond to the challenge presented, which includes artistic research on a theme introduced in class, to which all student groups will contribute and on which they will have to reflect, producing original work. The project includes weekly tutoring sessions culminating in a collective exhibition of the results at the Fábrica das Artes in Tomar. The project is curated by the professor and students. The installation is done by the professor and students. The presentation is public and mandatory.
Evaluation Methodology
The assessment is continuous and consists of:
Attendance, Participation, Attendance - 10%
3 practical exercises - 50%
1 artistic project - 40%
To pass in the Normal Period, the student must obtain a grade of 9.5/20 points, a value based on the weighted arithmetic average of the evaluation elements described above. To be eligible for assessment, the student must have submitted all practical exercises with a minimum grade of 8/20; have completed and presented the research work with a minimum grade of 8/20.
Students with a final grade of less than 8/20 are excluded from subsequent assessment periods. Students with a final grade of over 8/20 will be able to take advantage of subsequent assessment periods to pass or improve. Approval or improvement only applies to one theoretical assessment element - written and orally presented research work.
The same methodology is applied to subsequent Assessment Periods.
Bibliography
- Anderson, C. (2019). Cyanotype: The Blueprint in Contemporary Practice (Contemporary Practices in Alternative Process Photography). London: Focal Press
- Fabbri, M. (2011). Anthotypes: Explore the darkroom in your garden and make photographs using plants. Stockholm: Malin Fabbri
- Nadeau, L. (1986). Modern Carbon Printing. London: LNR
- Stulik, D. e Kaplan, A. (2013). The Atlas of Analytical Signatures of Photographic Processes - Collotype. Los Angeles: The Getty Conservation Institute
Teaching Method
Expository, theoretical-practical and practical-laboratory classes. After contextualizing the proposed photographic printing processes, practical experimentation will follow.
Software used in class
Adobe Photoshop
Silverfast
Charthrob
