Publication in the Diário da República: Despacho nº 6320/2018 - 28/06/2018
5 ECTS; 3º Ano, 1º Semestre, 45,0 PL + 15,0 TP + 3,0 OT , Cód. 817741.
Lecturer
- João Pedro Freire Fonseca da Luz (1)
- José Vasco Gaio Monteiro Barroco Carvalho (2)
(1) Docente Responsável
(2) Docente que lecciona
Prerequisites
N/A
Objectives
Sound in cinema as a driver of critical analysis and feelings.
This course discusses sound and its role in the audiovisual narrative.
The specifics of audio language with emphasis on sound design and sound mixing.
Program
a- Sound edition
b- A.D.R. concepts and implications
c- Project presentation and development
d- Concepts and implications of Foley Artist
e- Concepts and implications of sound environments
f- The theory of sound design and audio production
g- The Theory of Spheres
h - Music for cinema
i - Sound mix techniques for cinema
Evaluation Methodology
Continuous assessment with specific weightings for: 3 practical exercises;
attendance, motivation and participation.
Continuous assessment (20%)
Project Sound Design Midi (40%)
Particle Project (40%)
Bibliography
- Bartlett, B. (2008). Practical Recording Techniques. California: Focal Press
- Collins, N. (2009). Handmade Electronic Music. EUA: Routledge
- Cox, C. e Warner, D. (2004). Audio Culture, Readings in Modern Music. EUA: Continuum
- Sonnenschein, D. (2001). Sound Design. EUA: Michael Wiese Productions
Teaching Method
Teaching/Learning Methods
A. Expository and demonstrative lectures and tutorials promoting self-directed learning.
B. Individual exercises involving the production and creation of sound tracks for films
C. Screening of film segments.
Software used in class
