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Ano Letivo: 2018/19

Cinema Documental

Camera and Lighting

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Publication in the Diário da República: Despacho nº 6320/2018 - 28/06/2018

6 ECTS; 1º Ano, 2º Semestre, 30,0 PL + 30,0 TP + 3,0 OT , Cód. 817711.

Lecturer
- João Pedro Freire Fonseca da Luz (1)
- Marco Filipe de Almeida Santos Oliveira (2)

(1) Docente Responsável
(2) Docente que lecciona

Prerequisites
N/A

Objectives
a. Rediscover the screenplay from the perspective of Photography
b. Master the camera and lighting
c. Master work procedures
d. Understand the photographic image
e. Develop teamwork
f. Develop skills in capturing motion pictures
g. Foster research

Program
1. The history of lighting in cinema.
2. Lighting equipment.
3. The work of the Cinematographer.
4. The purpose of lighting. Processes.
5. Colour theory and control. Filters.
6. Composition.
7. Photometry and Sensitometry.
9. Colour corrections and grading.

Evaluation Methodology
Attendance - 20%
Exercise 1 - 15% - interview lighting and recording
Exercise 2 - 15% - action lighting and recording
Exercise 3 - 15% - performance lighting and recording
Exercise 4 - 35% - Short documentary film at the end of the semester

First

Bibliography
- Alton, J. (1996). Painting with light. California: University of California Press
- Burum, S. (2011). Selected Tables, Charts and Formulas for the Student Cinematographer from the American Cinematographer Manual. California: ASC Holding Corp
- Jackman, J. (2002). Lighting for Digital Video & Television. Oxford: Focal Press
- Storaro, V. (2004). Writing With Light Trilogy. New York: Aperture

Teaching Method
a. Traditional face-to-face lectures.
b.In-studio practical lessons.
c. Practical field classes.

Software used in class
Blackmagic DaVinci Resolve 15

 

 

 


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