Publication in the Diário da República: Despacho n.º 8955/2023 - 31/08/2023
5 ECTS; 2º Ano, 2º Semestre, 45,0 T + 2,0 OT , Cód. 938098.
Lecturer
- Maria Teresa Ribeiro Pereira Desterro (1)(2)
(1) Lead Professor
(2) Teaching Professor
Prerequisites
Not applicable
Objectives
Relate the context in which the successive art movements developed in Portugal, during the Modern Age with its peculiar characteristics.
Understand the national peculiarities of each movement, despite their integration into European aesthetic trends, and identify their main artistic manifestations and respective authors.
Develop the ability to make research and understand the scientific information and analyse.
Develop analytical and interpretative skills and critical thinking.
Program
I - The transition of Gothic to Renaissance in Portugal.
1.The late XVth painting: Nuno Gonçalves
2.The Late Gothic during D. Manuel's Kingdom.
2.1.The the royal comissions main buildings of the begining of the XVIth century.
II-Renaissance Cycle : innovations and resistance
1.The influence of italian classicism
1.1.The new architecture: sources and ways of its penetration in Portugal.
2 - Painting in the first half of the XVIth century
2.1.Imports. The prevalence of Flemish workshops in the first quarter of the 16th century.
2.2.National painting
2.2.1.The labour organization
2.2.2.The importance of patronage. Centralization and artistic peripheries. Painting schools of Lisbon, Coimbra, Viseu and others.
3 -Renaissance Sculpture: Lisbon, Coimbra and Évora's Schools
III- Mannerism - From High Renaissance to "Counter-Maniera"
1.The New Artistic Scenario. The Anti-Classicism rebelian
1.1.Portuguese Manneirism. The painters influenced by italian painting.
2.The Council of Trento and the "Counter-Maniera"
2.1 The development of "Pittura Senza Tempo"
2.2.The new architecture: plain architecture
2.3. Manneirist sculpture
IV- Barroc Portuguese Art
1.Barroc Art in the XVIIth century
1.1.The spanish influence and "tenebrism"
1.2.Militar architecture
2.Barroc Art in the Kingdom of D. João V
Evaluation Methodology
Continuous Assessment: Two written tests. Students must achieve a final average mark of 10/20 to pass. A minimum mark of 7.5/20 is required in each test; marks below this threshold must be compensated by the other test to achieve the final average. Students scoring below 7.5/20 in either test automatically fail the continuous assessment and are eligible to sit the final examination.
Final Examination: One written examination covering all syllabus topics. A minimum mark of 10/20 is required to pass.
Bibliography
- Pereira (coord), P. (1995). História da Arte Portuguesa. (Vol. II, III ). Lisboa: Círculo de Leitores / Temas e Debates
- Serrão, V. (2002). História da Arte em Portugal - Renascimento e Maneirismo. Lisboa: Presença
- V.V, A. (1986). História da Arte em Portugal.. (Vol. 5,6,7,8,9,10). Lisboa: Alfa
- VV, A. (2010). A Nova História da Arte de Janson. A tradição ocidental, revisão científica de Fernando António Baptista Pereira, 9ª Edição, Fundação Calouste Gulbenkian, Lisboa, 2010.. Lisboa: Fundação Calouste Gulbenkian
Teaching Method
Lectures based on the analysis of works of art, promoting reflection and discussion.
Tutorial support
Study visits
Software used in class
Not applicable
