Publication in the Diário da República: Despacho nº 6320/2018 - 28/06/2018
4 ECTS; 2º Ano, 1º Semestre, 60,0 TP + 3,0 OT , Cód. 817713.
Lecturer
- Liliana Cristina Vidais Rosa (1)(2)
- Maria Paula Pinto Soares (2)
(1) Docente Responsável
(2) Docente que lecciona
Prerequisites
Proficiency in English.
Objectives
A. Identify and understand the historical and theoretical contexts of the link between cinema and other arts.
B. Develop analytical and critical skills in the face of works or artistic objects that show formal intertextuality.
C. Produce filmic objects from a dialogic basis.
D. Understand the relationship between Film and Other, reducing inequalities (10 ODS), peace, justice and effective institutions (16 ODS).
Program
1. Documentary as a cinematographic genre: origin and problematization of the definition of documentary.
2. From the desire of the real in early cinema to the invention of the documentary in the 1920s: Robert Flaherty and the travel film, the European avant-garde cinema.
3. Political and social concerns in the documentary of the years 1930 to 1950: the documentary in the service of political causes; Institutionalization of the documentary in the United Kingdom and the United States (10 ODS: reducing inequalities); The use of the documentary of propaganda and counterpropaganda in World War II (16 ODS: peace, justice and effective institutions); European poetic documentary.
4. The emergence of the observational documentary in the late 1950s: Free Cinema, Direct Cinema and Cinema Vérité.
Evaluation Methodology
1. Continuous assessment
1.1 Regular intervention on the themes-films under discussion in class (10%).
1.2 A written test (Attendance) during the semester (50%)
1.3 A written work (film analysis) of one of the films proposed by the teacher (40%)
2. Exam-based assessment
2.1 Written test covering all taught content (100%)
The evaluation is made in accordance with the provisions of Art. 11 of the Academic Regulation of IPT Schools. Students who obtain a grade equal to or greater than 10 values are waived from the Exam.
Bibliography
- Barsam, R. (1992). Non-Fiction Film - A Critical History. Bloomington: Indiana University Press
- Da-Rin, S. (2004). Espelho Partido - Tradição e Transformação do Documentário. Rio de Janeiro: Azougue
- Nichols, B. (2001). Introduction to Documentary. Bloomington: Indiana University Press
- Rothman, W. (1997). Documentary Film Classics. Cambridge: Cambridge University Press
Teaching Method
1. Expository lectures.
2. In-class film analysis
Software used in class
1. Platform used
1.1 Microsoft Teams
2. Software necessary to apply the acquired knowledge
2.1 Microsoft Word
2.2 Adobe Acrobat Reader
2.3 Open Office
2.4 VLC Media Player
2.5 QuickTime Player
