Publication in the Diário da República: Despacho nº 6320/2018 - 28/06/2018
5 ECTS; 3º Ano, 1º Semestre, 60,0 TP + 3,0 OT , Cód. 817736.
Lecturer
(1) Docente Responsável
(2) Docente que lecciona
Prerequisites
Bibliography is provided only in English
Objectives
a)identify and understand the conceptual and methodological issues underlying film programming and curating and its historical evolution;
b)distinguish between programming contexts (festivals, museums, film archives, etc.)
c)understand the relationship between film curating and that of other arts
Program
1. Cinema theory(ies).
2. First theoretical approaches.
3. Soviet theoreticians.
4. Phenomenology of Realism.
5. Modern cinema.
6. Cinemas of the Other.
7. Digital cinema and convergence culture.
8. Cinephilia and film culture.
Evaluation Methodology
Bibliography
- Paolo Cherchi, U. e Michael, L. e David, F. e Alexander, H. (2006). Film Curatorship: Archives, Museums, and the Digital Marketplace. Viena: Austrian Film Musuem
- Peter, B. (2015). Film Programming: Curating for Cinemas, Festivals, Archives. Nova Iorque: Wallflower Press
Teaching Method
Conventional lectures supported by audiovisual resources. Analysis of film programs for festivals, film archives, museums, etc.
Software used in class
